THE GRAFFITI BATTLE CROWN
TIJUANA, MEXICO

OCT.12-20 1996

 THE Graffiti Battle Crown was an event that took place towards the end of 1996 in Tijuana, Mexico and brought together many graffiti writers and enthusiasts from around the country. Before I get into the actual happenings, I would like to give a quick synopsis of how this event came to be. The event was organized and spearheaded by two writers, myself (Man One) from L.A. and Fuska from the host city of Tijuana. The idea flourished when I was invited in 1995 to be a judge for a Graffiti mural competition in TJ. Fuska wanted me to bring other writers from L.A. to teach the young writers in TJ about styles and painting techniques. The idea was pitched to several government agencies including the Department of Culture. Everyone was really excited about making this happen. The idea had now grown from a weekend seminar to a week long festival of full-blown Graffiti productions throughout the city.
    This event was not at all an easy task to coordinate. We wanted it to be open to any writer, from any crew, from any city. This event was to bring writers together in unity for a common cause and not about who's old school or who's dope and who's not. Ideally we wanted to provide everything for the writers: lodging, airfare, paint, food, etc. I quickly learned what a huge task this was going to be. The Mexican government really saw the positive effort this was going to be, but had very little money to offer. They provided the walls (which originally were staked out all over the city). They provided the lodging at "CREA" (equivalent to our YMCA clubs) which was really dope because it gave us a summer camp atmosphere. They also produced the flyers for the event in both English and Spanish.
    As for our American brothers, everyone was down for the event but not down enough to put money where their mouth was. I have to put it down for TRIBAL GEAR; they were the only ones who kicked in when the going got tough for us. ICU Art also donated time and effort to design the flyer and help with promotion of the event, as did Art Crimes. All other companies that were contacted or knew about the event and didn't donate, check yourself. If you are directly (or indirectly) profiting from this art movement and not willing to give some of it back, then you are just exploiting kids and the whole scene. You should be boycotted and publicly dissed for doing so. You know who you are!
    The biggest set back we experienced was from a group we were working with, who was donating all the paint. The deal was that the artists come up with a theme for each mural or piece and provide a sketch for each idea (along with a paint list of colors). The over all themes had to do with Mexican/American border issues and culture. Just getting graff artists to submit an idea was difficult enough, but most came through with some dope images. Everything was starting to come together until our paint sponsor flipped out on the sketches. They wanted us to go back to the artists and ask for revisions with specific requests on what the murals and pieces should say. I had to hold Fuska back from wanting to break these fools off on the spot. There was no way we were going to compromise the art just to get some cans of paint; I didn't care if they were donating $10,000 worth of Krylon.
    Personally I felt horrible about all this, but I knew quitting was not an option. So I got on the horn and personally contacted every writer to tell them that the event was going to be postponed for one month. All this took place just two days before the event was originally scheduled to happen. So you could imagine all the heat I received, but in the end it was the right thing to do. Due to the circumstances we were forced to quickly restructure the event. We couldn't guarantee any paint so we asked writers to bring their own supply. We were also lucky to find a central wall, about 400 feet long, that belonged to the Gas Company in TJ. All that stuff about themes and issues was thrown out and anyone who wanted to show up and just rock was welcomed.
    So day one finally arrived. We were a bit nervous as to who was actually going to show up, if anyone at all, but regardless we were there and we were going to rock some shit. Me, Vyal, and Sacred were there representing the COI's. Asyl'm and Swank were there Seeking Heaven. Before we could even start, the Mexican police and the Feds showed up to give us a warm "gatfilled" welcome. We had to humbly explain that we were a bunch of American graffiti artists whose artwork was not well respected in our own country. Therefore, we had immigrated to Mexico for a weeklong graffiti tour. They looked over our permission slips, put their guns away, and rode off.
    Before long, Ses Won and Drew from Arizona had shown up. Kids from the bay area (like Cyme, Sar, and RVS) were spotted walking aimlessly in the foreign country. Big ballers Crayone, Neon, and Phresh were discovered shooting hoops all over the place. Well you get the picture. As the week went on writers continued to show up by the carfull. UTI represented by the pack. Skill, Snap, Deal, Pistol, Swan, and Nuke all got up lovely with some phat burners. Nuke got political, as always, and rocked some dope "chupa patria" production for the kids. Pashe and Quake (Lords) showed up for several days and rocked a UFO filled production right next to San Diego's Zane and Persue.
    I want to thank everyone who participated on any level of this event for making it as successful as it turned out especially the writers: ASYL'M sh, SWANK sh, VYAL coi, SACRED coi, NUKE uti, SWAN uti, SKILL uti, PISTOL uti, DEAL uti, SNAP uti, ZANE, PERSUE sba, CRAYONE, NEON ba, PHRESH, PASHE lords, QUAKE lords, CYME htk, SAR htk, RVS htk, JAIT dsc, TABOO dsc, EKSILE dsc, SES WON, DREW, FUSKA, EASE and anyone I may have forgotten.
    I hope more events like this continue to happen, because it really brings people together and allows ideas, theories, and history to be verbally passed down. I will never forget the conversations, the sketch sessions, the b-ballin', and most importantly the brotherhood we experienced. I'll let you enjoy the flicks, but rest assured that just like my boy Neon said it was one of the dopest graff trips I've ever been on.

 Peace out! MAN ONE   COI   L.A.


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