December 2006. Vol. 10, No. 4.
Bridging the Generation Gap in Arts and Culture Leadership: Taking the First Steps. Victoria J. Saunders
August 2006. Vol. 10, No. 3.
Boomers, XY’s and the Making of a Generational Shift in Arts Management Victoria J. Saunders
Canaries in the Coal Mine: Art, Freedom, and Community (Eugene City Club, June 2, 2006) John Frohnmayer
May 2006. Vol. 10, No. 2:
Recognizing Artists as Public Intellectuals: A Pedagogical Imperative. Jodi Kushins
February 2006. Vol. 10, No. 1:
From Concept to Creation: A Museum Makeover with Big Ideas and a Small Donor Base. Patricia Krier and Thomas Connolly
The Museum's Community Role. Alice Parman
October 2005. Vol 9, No. 4:
From Termination to Triumph: Reflecting on the First Ten Years of the University of Oregon Arts and Administration Program. Elizabeth Hoffman, Ph.D.
March 2005. Vol. 9, No. 3:
Quotes, Qualms, and Questions: The Impact of June King and Vincent Lanier on My Life and Beyond. Dr. Paul Bolin, University of Texas
Explorations of Visual Culture: Written on the Body. Dr. Laurie Hicks, University of Maine
June 2004. Vol. 8, No. 4:
Assessing Arts and Cultural Programming in Oregon's Recreation Organizations. Gaylene Carpenter.
Outcome-based Evaluation: Practical and Theoretical Applications. Robert Voelker-Morris
March 2004. Vol. 8, No.3:
A Call to Action for 2004 (And Beyond). Thomas Tresser
January 2004. Vol. 8, No. 2:
Defining Queer: The Criteria and Selection Process for Programming Queer Film Festivals. Jamie June.
September 2003. Vol. 8, No. 1:
Searching for Solutions: Planning Analysis of the Oregon Cultural Trust and Recommendations for Community Arts Managers with Regard to Public Funding of Culture in Oregon. Gustav Baum.
June 2003. Vol. 7, No. 3:
A Library as Material Culture: Typology and Symbol in the Community: Clayton Funk. Text, Reader, Reading: Richard Bear.
March 2003. Vol. 7, No. 2:
Intangible Legacy: Oregon's Federal Art Centers: Margaret Bullock.
Designing Web-Based Instruction: A Research Review On Color, Typography, Layout, and Screen Density: Michael G. Geraci
January 2003. Vol. 7, No. 1:
Three Festivals Seen Through the Getz Model of the Event Management System. Emily Windle
June 2002. Vol. 6, No. 3:
We Want Your Life Back: How You Can Go Guerilla! Marc Moscato
January 2002. Vol. 6, No. 2:
Ticket Pricing: Concepts, Methods, Practices, and Guidelines for Performing Arts Events. David Franklin Riley
September 2001. Vol. 6, No. 1:
Seeing the Whole Picture: An Investigation of Factors that Influence Contemporary Native American Artist Participation in "Mainstream" Fine Art Markets. Staci Golar
Memories of Professor Robert Gard. Michael F. Warlum
June 2001. Vol. 5, No. 4:Reviving Arts Education through Collaboration: Community/Schools Partnership for the Arts. Mary Ann Stankiewicz
March 2001. Vol. 5 No. 3:
AMRC - The Arts Management Research Clearinghouse. Dr. Linda F. Ettinger
January 2001. Vol. 5, No. 2:
Creating an Arts Access Guide on the World Wide Web: Access to Art in Portland, Oregon. Kim Ruthardt Knowles
September 2000. Vol. 5, No. 1:
Community Arts Councils: Historical Perspective. Maryo Ewell
The Montana Study. Clayton Funk
June, 2000. Vol. 4, No. 3:
Community Arts Councils: Historical Perspective (Part III.) Maryo Ewell
Why is the Mona Lisa Smiling? Steve Feld
April, 2000. Vol. 4, No. 2:οΎ
Community Arts Councils: Historical Perspective (Part II.) Maryo Ewell
Thinking Ahead: Disaster Preparedness for Museums. Yvonne Lever
January, 2000. Vol. 4, No. 1:
Community Arts Councils: Historical Perspective (Part I.) Maryo Ewell.
Family-Focused Programming Between the Arts and Social Services. Barbara Harris
September, 1999. Vol. 3, No. 4:
Art Teacher Censorship of Student Produced Art in Georgia's Public High Schools. Bruce Bowman
July, 1999. Vol. 3, No. 3:
Economic and Leisure Factors Impacting Participation in the Arts by Middle Aged Adults. Gaylene Carpenter, Ed.D.
WESTAF Launches www.artjob.org. Searchable Arts Employment and Opportunities Web Site.
April, 1999 Vol. 3 No. 2:
Paul Olum Mobile Hemi-Bust. Michael Randles
Outlaw Murals. Laura Feldman
January, 1999 Vol. 3 No.1:
The Rise and Fall of the California Confederation of the Arts: 1976 - 1997. Anne W. Smith
September, 1998 Vol. 2 No.4:
What Is Community Cultural Development and How Do We Practice It? Bill Flood
June, 1998. Vol. 2, No. 3:
The Arts as Commodity. Stan Madeja
The Non-Profit and Commercial Arts: Understanding Future Options. David B. Pankratz
April, 1998. Volume 2, No. 2:
The Florida Farmworkers Project. Kristin Congdon.
February, 1998. Volume 2, No. 1:
Art Crimes: Building a Digital Museum/Graffiti Battle Crown. Susan Farrell
November, 1997. Volume 1, No. 3:
The Invisible Careers for Latinos: Public History and Museum Studies. Miguel Juarez
July, 1997. Volume 1, No. 2:
The Arts Management Employment Interview. Deborah Snider
May, 1997. Volume 1, No. 1:
A Tool for Analysis of Web Sites' Accessibility to Users with Disabilities. Douglas Blandy, Ph.D.
CultureWork is an electronic publication of the University of Oregon Institute for Community Arts Studies. Its mission is to provide timely workplace-oriented information on culture, the arts, education, and community. For previous issues of CultureWork, visit the Previous Issues page. Prospective authors and illustrators please see the Guidelines.
Opinions expressed by authors of CultureWork broadsides do not necessarily express those of the editors, the Institute for Community Arts Studies, or the University of Oregon.
Arts and Administration | The Institute for Community Arts Studies(I.C.A.S.)
Copyright - The Institute for Community Arts Studies unless otherwise noted; all other publication rights revert to the author(s), illustrator(s), or artist(s) thereof.
Co-Editors: Julie Voelker-Morris, Robert Voelker-Morris
Advisor: Dr. Douglas Blandy.
Comments to: culturwk@uoregon.edu
