CultureWork
A Periodic Broadside*
for Arts and Culture Workers |
May, 1997. Vol. 1, No. 1.
Institute for Community Arts Studies
Arts & Administration Program, University of Oregon
In this issue:
A Tool for Analysis of Web Sites' Accessibility to Users with Disabilities
Also: a version for printing
out that includes space for your notes and comments when rating a site.
CultureWork will be archived on this server and links to archived issues
will appear in each issue, beginning with volume one, number two.
A Tool for Analysis of Web Sites' Accessibility to Users with Disabilities
The Americans with Disabilities
Act promotes a view in which disability is, in part, associated with ill-considered
design and design processes. As a result, discovering and implementing
alternative design strategies should be a priority.
Below is a checklist to assist you in creating web pages accessible
to the widest possible readership. This checklist has been adapted by Doug
Blandy from Vanderheiden, G. C., Chishom, W. A., & Ewers, N. (1996),
Design of HTML Pages to Increase their Accessibility to Users with Disabilities
<http://www.trace.wisc.edu/text/guidelns/htmlgide/
htmlfull.html> and assignments submitted by Richard Bear and Ann-Marie
Bilderback, AAD 451/551 Art and Community Services, Program in Arts and
Administration, School of Architecture and Allied Arts, University of Oregon,
Eugene, OR, Winter, 1997.
Text Anchors
-
Make text anchors descriptive enough that they make sense when read out
of context.
-
Be sure to place a dividing character between links which occur consecutively.
Vertical bars may be used to prevent a list of links from being read as
one link by speech software.
GIF and other inline graphics
-
Provide an alternative text description (ALT = "[description of graphic]").
This includes all graphics - even decorative ones. Otherwise, the user
with a text-based browser (LYNX, usually) sees a note saying there is a
graphic but doesn't know what it is.
-
Include a text anchor to a page describing the graphic (we recommend a
capital "D" or a short phrase located next to the picture) which takes
you to a separate page with a full description of significant graphic elements,
pictures, etc.
-
Provide an alternate text-only page which translates all of the graphic
and text information into text only. This can provide a fast access method
for all users. You may have text-only pages for just troublesome pages
or all pages at your site. Users should be able to switch back and forth
between text-only and graphic versions of the page.
Audio clips, movies, and image maps
-
Audio clips should include a link to a page with a transcript or description
of the sound file .
-
Movies should include captions or text tracks with a description of the
sounds and words in the movie.
-
Image maps should be complemented by a set of text anchors for all links
accessible through the image map.
Forms, tables and non-standard page and document formats
-
Provide forms in a format that can be downloaded, then mailed or emailed
back. Phone numbers should be included for additional information.
-
Tables with multiple cells cannot be read be presently read by speech software
and should be avoided entirely (no good solution presently exists).
-
Make text-only versions available for all pages.
-
Non-standard data structures and viewers should be avoided.
Color
-
Background patterns and color should contrast well with the lettering to
maintain readability (background refers to both backgrounds of pages and
backgrounds of images).
-
Select colors that will make your pages easy to read by people with color
blindness. One good test is to see if your pages are readable in black
and white.
Testing
-
Always test your pages using a variety of browsers and platforms (PC, MAC,
UNIX). Be sure to include text-based browsers (LYNX) and use graphic browsers
with images turned off.
***
CultureWork seeks submissions (500-1500 words), topic ideas, and constructive
criticism. Graphics that express the spirit of Community Arts are especially
welcome, to be published with attribution. Send to Maria Finison at mfinison@darkwing.uoregon.edu
or via snailmail: care of Arts & Administration Program, School of
Architecture and Allied Arts, University of Oregon, Eugene Oregon 97403.
Arts and Administration | The
Institute for Community Arts Studies (I.C.A.S.)
©1997 The Institute for Community Arts Studies unless otherwise
noted; all other publication rights revert to the author or artist.
This online publication is edited by
Richard
Bear and is
advised by Dr.
Douglas Blandy.
Comments to: mfinison@darkwing.uoregon.edu